विधि: साधारणो यत्र सर्गा: प्राकृतवैकृता: ॥ ४६ ॥
savikalpa udāhṛtaḥ
vidhiḥ sādhāraṇo yatra
sargāḥ prākṛta-vaikṛtāḥ
ahar yad brahmaṇo viduḥ
rātiṁ yuga-sahasrāntāṁ
te 'ho-rātra-vido janāḥ
dvitīyo nīla-lohitaḥ
vāmadevas tṛtīyas tu
tato gāthāntaro 'paraḥ
ṣaṣṭhaḥ prāṇa iti smṛtaḥ
saptamo 'tha bṛhat-kalpaḥ
kandarpo 'ṣṭama ucyate
īśāno daśamaḥ smṛtaḥ
dhyāna ekādaśaḥ proktas
tathā sārasvato 'paraḥ
garuḍo 'tha caturdaśaḥ
kaurmaḥ pañcadaśo jñeyaḥ
paurṇamāsī prajāpateḥ
samādhis tu tato 'paraḥ
āgneyo viṣṇujaḥ sauraḥ
soma-kalpas tato 'paraḥ
supumān iti cāparaḥ
vaikuṇṭhaś cārṣṭiṣas tadvad
valī-kalpas tato 'paraḥ
gaurī-kalpas tathāparaḥ
māheśvaras tathā proktas
tripuro yatra ghātitaḥ
pitṛ-kalpas tathā cānte
yaḥ kuhūr brahmaṇaḥ smṛtā
SYNONYMS
ayam—this process of creation and annihilation; tu—but; brahmaṇaḥ—of Brahmā; kalpaḥ—his one day; sa-vikalpaḥ—along with the duration of the universes; udāhṛtaḥ—exemplified; vidhiḥ—regulative principles; sādhāraṇaḥ—in summary; yatra—wherein; sargāḥ—creation; prākṛta—in the matter of material nature; vaikṛtāḥ—disbursement.
TRANSLATION
This process of creation and annihilation described in summary herein is the regulative principle during the duration of Brahmā's one day. It is also the regulative principle in the creation of mahat, in which the material nature is dispersed.
PURPORT
There are three different types of creation, called mahā-kalpa, vikalpa and kalpa. In the mahā-kalpa the Lord assumes the first puruṣa incarnation as Kāraṇodakaśāyī Viṣṇu with all the potencies of the mahat-tattva and the sixteen principles of creative matter and instruments. The creative instruments are eleven, the ingredients are five, and all of them are products of mahat, or materialistic ego. These creations by the Lord in His feature of Kāraṇodakaśāyī Viṣṇu are called mahā-kalpa. The creation of Brahmā and dispersion of the material ingredients are called vikalpa, and the creation by Brahmā in each day of his life is called kalpa. Therefore each day of Brahmā is called a kalpa, and there are thirty kalpas in terms of Brahmā's days. This is also confirmed in the Bhagavad-gītā (8.17) as follows:
ahar yad brahmaṇo viduḥ
rātiṁ yuga-sahasrāntāṁ
te 'ho-rātra-vido janāḥ
dvitīyo nīla-lohitaḥ
vāmadevas tṛtīyas tu
tato gāthāntaro 'paraḥ
ṣaṣṭhaḥ prāṇa iti smṛtaḥ
saptamo 'tha bṛhat-kalpaḥ
kandarpo 'ṣṭama ucyate
īśāno daśamaḥ smṛtaḥ
dhyāna ekādaśaḥ proktas
tathā sārasvato 'paraḥ
garuḍo 'tha caturdaśaḥ
kaurmaḥ pañcadaśo jñeyaḥ
paurṇamāsī prajāpateḥ
samādhis tu tato 'paraḥ
āgneyo viṣṇujaḥ sauraḥ
soma-kalpas tato 'paraḥ
supumān iti cāparaḥ
vaikuṇṭhaś cārṣṭiṣas tadvad
valī-kalpas tato 'paraḥ
gaurī-kalpas tathāparaḥ
māheśvaras tathā proktas
tripuro yatra ghātitaḥ
pitṛ-kalpas tathā cānte
yaḥ kuhūr brahmaṇaḥ smṛtā
These are Brahmā's days only, and he has to live months and years up to one hundred, so we can just imagine how many creations there are in kalpas only. Then again there are vikalpas, which are generated by the breathing of Mahā-Viṣṇu, as stated in the Brahma-saṁhitā (yasyaika-niśvasita-kālam athāvalambya jīvanti loma-vilajā jagadaṇḍa-nāthāḥ [Bs. 5.48]). The Brahmās live only during the breathing period of Mahā-Viṣṇu. So the exhaling and inhaling of Viṣṇu are mahā-kalpas, and all these are due to the Supreme Personality of Godhead, for no one else is the master of all creations.